Regarding the creation of her book, Laurens writes that she was already already working on a series of persona poems when she discovered that the voice of Medea rang especially true to her: “I felt that it needed to speak through one of my characters. [Moreover,] what if we recognized that her crimes are metaphorical?… Like any enemy, Medea was easier to label as a murderess than she was to truly understand as a character who transformed from ingenue to warrior, to outcast, to mother, to sorceress, to murderess.”
The result, Laurens states, is: “a manuscript on misbehavior. Its intention is to investigate with empathy the peculiarity and rage that inhabits the Medea of Greek mythology. It also allows for the uncomfortable notion that she is incarnate today in women who,… caught between duty and true nature, are faced with impossible choices.”
She became a feminist writer by necessity. Her work has appeared in Enclave, Alexandria Quarterly, Hawkmoth, and Poet Republik.
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